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NobodytellsyouthisaboutTokyoatnight
Video editing · Reels · YouTubeEdits people watch to the end.
Roughcut is a video editing studio for short form, reels and YouTube. Send the raw footage, get back edits people watch to the end.
- Retention
- 68%
- Views
- 2.4M
- Turnaround
- 72 h
NobodytellsyouthisaboutTokyoatnight
Video editing · Reels · YouTubeEdits people watch to the end.
Roughcut is a video editing studio for short form, reels and YouTube. Send the raw footage, get back edits people watch to the end.
- Retention
- 68%
- Views
- 2.4M
- Turnaround
- 72 h
NobodytellsyouthisaboutTokyoatnight
Video editing · Reels · YouTubeEdits people watch to the end.
Roughcut is a video editing studio for short form, reels and YouTube. Send the raw footage, get back edits people watch to the end.
01 · Before / after
Same footage. A video people finish.
Drag the handle. Left is what you send us: forty minutes of raw takes. Right is what goes up: the hook first, the pauses gone, captions on every word.
- +31%average retention lift
- 72 hfrom raw footage to upload
- 1,900+videos cut since 2019
Fine cut v300:00:38Thisisthepartwheretheystopscrolling
RAW · 00:42:1001 · Before / after
Same footage. A video people finish.
Drag the handle. Left is what you send us: forty minutes of raw takes. Right is what goes up: the hook first, the pauses gone, captions on every word.
Fine cut v300:00:38Thisisthepartwheretheystopscrolling
RAW · 00:42:10- +31%average retention lift
- 72 hfrom raw footage to upload
- 1,900+videos cut since 2019
01 · Before / after
Same footage. A video people finish.
Drag the handle. Left is what you send us: forty minutes of raw takes. Right is what goes up: the hook first, the pauses gone, captions on every word.
Fine cut v300:00:38Thisisthepartwheretheystopscrolling
RAW · 00:42:10- +31%average retention lift
- 72 hfrom raw footage to upload
- 1,900+videos cut since 2019
02 · The work
Clips people finish.
Hover a clip and it plays its hook. Every project opens with the numbers: who watched, how long, how fast we turned it around.
All workNeon district tourYouTubeNobodytellsyouthisaboutTokyoatnightKiko Tanaka68%retention2.4Mviews72 hturnaround
One take, no cutsReelsWeshotthewholevideoinonetakeVela Records74%retention5.1Mviews48 hturnaround
The 3 second ruleTikTokStopscrolling,thistakesthreesecondsMina Shah81%retention8.7Mviews24 hturnaroundColour grade breakdownYouTubeWatchthegradechangethewholesceneHalide Studio63%retention940Kviews96 hturnaround
Coast road in 30ShortsThirtysecondsonthebestroadinEuropeArrow Cycles77%retention3.3Mviews48 hturnaround
Night swim, the filmYouTubeSheswamthelakeeverynightforayearLowlight Co71%retention1.2Mviews5 daysturnaround02 · The work
Clips people finish.
Hover a clip and it plays its hook. Every project opens with the numbers: who watched, how long, how fast we turned it around.
All workNeon district tourYouTubeNobodytellsyouthisaboutTokyoatnightKiko Tanaka68%retention2.4Mviews72 hturnaroundOne take, no cutsReelsWeshotthewholevideoinonetakeVela Records74%retention5.1Mviews48 hturnaroundThe 3 second ruleTikTokStopscrolling,thistakesthreesecondsMina Shah81%retention8.7Mviews24 hturnaroundColour grade breakdownYouTubeWatchthegradechangethewholesceneHalide Studio63%retention940Kviews96 hturnaround02 · The work
Clips people finish.
Hover a clip and it plays its hook. Every project opens with the numbers: who watched, how long, how fast we turned it around.
All workNeon district tourYouTubeNobodytellsyouthisaboutTokyoatnightKiko Tanaka68%retention2.4Mviews72 hturnaroundOne take, no cutsReelsWeshotthewholevideoinonetakeVela Records74%retention5.1Mviews48 hturnaroundThe 3 second ruleTikTokStopscrolling,thistakesthreesecondsMina Shah81%retention8.7Mviews24 hturnaroundColour grade breakdownYouTubeWatchthegradechangethewholesceneHalide Studio63%retention940Kviews96 hturnaroundCoast road in 30ShortsThirtysecondsonthebestroadinEuropeArrow Cycles77%retention3.3Mviews48 hturnaroundNight swim, the filmYouTubeSheswamthelakeeverynightforayearLowlight Co71%retention1.2Mviews5 daysturnaround
Kitchen table storiesPodcast clipsMygrandmotherneverwrotethisrecipedownMaple Podcast69%retention610Kviews24 hturnaround
Behind the last shotReelsWhatittakestolightalakeatmidnightField Notes72%retention1.8Mviews48 hturnaround03 · What we edit
Six tracks, one timeline.
Pick a track. Every one is a fixed scope with a fixed turnaround, cut by an editor who does only that.
Reels, TikToks and Shorts cut to hold the first three seconds and the last one.
- Hook rewrite and cold open
- Captions, one word at a time
- Sound design and music
- Cover frame
- Two alternative hooks
Eight to forty minutes, paced so the retention graph stays flat.
- Structure and chapters
- B-roll, zooms and graphics
- Colour and sound mix
- End screen
- Retention note
The six best moments of every episode, found, framed and captioned.
- Moment selection from the transcript
- Speaker reframing
- Captions and titles
- All platform sizes
- Next-morning delivery
Three thumbnail options per video, designed with the title.
- Three options per video
- Title pairing
- A/B ready sizes
- Source files
Accurate, styled, burned in or delivered as files, in twelve languages.
- Hand-corrected transcript
- Word-timed styling
- SRT and VTT files
- Twelve languages
Titles, lower thirds, animated explainers and channel packages.
- Intro and outro
- Lower thirds and callouts
- Animated explainers
- Reusable templates
03 · What we edit
Six tracks, one timeline.
Pick a track. Every one is a fixed scope with a fixed turnaround, cut by an editor who does only that.
Reels, TikToks and Shorts cut to hold the first three seconds and the last one.
- Hook rewrite and cold open
- Captions, one word at a time
- Sound design and music
- Cover frame
- Two alternative hooks
Eight to forty minutes, paced so the retention graph stays flat.
- Structure and chapters
- B-roll, zooms and graphics
- Colour and sound mix
- End screen
- Retention note
The six best moments of every episode, found, framed and captioned.
- Moment selection from the transcript
- Speaker reframing
- Captions and titles
- All platform sizes
- Next-morning delivery
Three thumbnail options per video, designed with the title.
- Three options per video
- Title pairing
- A/B ready sizes
- Source files
Accurate, styled, burned in or delivered as files, in twelve languages.
- Hand-corrected transcript
- Word-timed styling
- SRT and VTT files
- Twelve languages
Titles, lower thirds, animated explainers and channel packages.
- Intro and outro
- Lower thirds and callouts
- Animated explainers
- Reusable templates
03 · What we edit
Six tracks, one timeline.
Pick a track. Every one is a fixed scope with a fixed turnaround, cut by an editor who does only that.
Reels, TikToks and Shorts cut to hold the first three seconds and the last one.
- Hook rewrite and cold open
- Captions, one word at a time
- Sound design and music
- Cover frame
- Two alternative hooks
04 · Retention is the product
The cut decides who stays.
A raw upload loses most of the room in the first three seconds. We open on the line that earns the stop, break the pattern before attention dips and land the payoff while people are still there.
04 · Retention is the product
The cut decides who stays.
A raw upload loses most of the room in the first three seconds. We open on the line that earns the stop, break the pattern before attention dips and land the payoff while people are still there.
04 · Retention is the product
The cut decides who stays.
A raw upload loses most of the room in the first three seconds. We open on the line that earns the stop, break the pattern before attention dips and land the payoff while people are still there.
- 1Hook0:03
- 2Pattern break0:19
- 3Payoff0:41
05 · From raw to upload
Five clips from footage to published.
Every project runs on the same track, so you always know which clip you are on and what lands next.
How we work- Raw footage00:42:10:00
Step 01 / 05Raw footage
You upload everything, phone clips included. We log every take and mark the lines worth keeping.
Day 0. Any format, any length.
- Rough cut00:01:12:00
Step 02 / 05Rough cut
The story in order with the hook up front, so you can judge the idea before the polish.
Day 1. One link, comments on the frame.
- Fine cut00:00:48:00
Step 03 / 05Fine cut
Pacing, pattern breaks, captions one word at a time and b-roll where the eye needs it.
Day 2. Two rounds of notes included.
- Colour & sound00:00:48:00
Step 04 / 05Colour & sound
One grade across every camera, clean dialogue, music that sits under the voice.
Day 3. Loudness matched per platform.
- Export00:00:45:00
Step 05 / 05Export
Vertical, square and wide masters with a cover frame and two alternative hooks to test.
Day 3. Delivered to your drive.
05 · From raw to upload
Five clips from footage to published.
Every project runs on the same track, so you always know which clip you are on and what lands next.
How we work- Raw footage00:42:10:00Step 01 / 05
Raw footage
You upload everything, phone clips included. We log every take and mark the lines worth keeping.
Day 0. Any format, any length.
- Rough cut00:01:12:00Step 02 / 05
Rough cut
The story in order with the hook up front, so you can judge the idea before the polish.
Day 1. One link, comments on the frame.
- Fine cut00:00:48:00Step 03 / 05
Fine cut
Pacing, pattern breaks, captions one word at a time and b-roll where the eye needs it.
Day 2. Two rounds of notes included.
- Colour & sound00:00:48:00Step 04 / 05
Colour & sound
One grade across every camera, clean dialogue, music that sits under the voice.
Day 3. Loudness matched per platform.
- Export00:00:45:00Step 05 / 05
Export
Vertical, square and wide masters with a cover frame and two alternative hooks to test.
Day 3. Delivered to your drive.
05 · From raw to upload
Five clips from footage to published.
Every project runs on the same track, so you always know which clip you are on and what lands next.
How we work- Raw footage00:42:10:00Step 01 / 05
Raw footage
You upload everything, phone clips included. We log every take and mark the lines worth keeping.
Day 0. Any format, any length.
- Rough cut00:01:12:00Step 02 / 05
Rough cut
The story in order with the hook up front, so you can judge the idea before the polish.
Day 1. One link, comments on the frame.
- Fine cut00:00:48:00Step 03 / 05
Fine cut
Pacing, pattern breaks, captions one word at a time and b-roll where the eye needs it.
Day 2. Two rounds of notes included.
- Colour & sound00:00:48:00Step 04 / 05
Colour & sound
One grade across every camera, clean dialogue, music that sits under the voice.
Day 3. Loudness matched per platform.
- Export00:00:45:00Step 05 / 05
Export
Vertical, square and wide masters with a cover frame and two alternative hooks to test.
Day 3. Delivered to your drive.
06 · The editors
The people on your timeline.
Six editors, each with a lane. You get one of them for the whole channel, not a queue, and you can message them directly.
- Lead editor, long form
Documentary pacing, travel and essay channels412 videos cutMaya ReyesOpen profile → - Senior editor, short form
Music, sport and anything cut to a beat960 videos cutJonah BlakeOpen profile → - Colourist and finishing editor
Colour, sound mix and motion graphics280 videos cutSam OrtegaOpen profile → - Editor, short form
Coaches, founders and talking-head video740 videos cutRia SenOpen profile → - Editor, trailers and film
Trailers, festival cuts and brand films190 videos cutLena MossOpen profile → - Editor, podcasts
Podcast clips, interviews and captions1,340 videos cutAva CollinsOpen profile →
06 · The editors
The people on your timeline.
Six editors, each with a lane. You get one of them for the whole channel, not a queue, and you can message them directly.
- Lead editor, long formDocumentary pacing, travel and essay channels412 videos cutMaya ReyesOpen profile →
- Senior editor, short formMusic, sport and anything cut to a beat960 videos cutJonah BlakeOpen profile →
- Colourist and finishing editorColour, sound mix and motion graphics280 videos cutSam OrtegaOpen profile →
- Editor, short formCoaches, founders and talking-head video740 videos cutRia SenOpen profile →
- Editor, trailers and filmTrailers, festival cuts and brand films190 videos cutLena MossOpen profile →
- Editor, podcastsPodcast clips, interviews and captions1,340 videos cutAva CollinsOpen profile →
06 · The editors
The people on your timeline.
Six editors, each with a lane. You get one of them for the whole channel, not a queue, and you can message them directly.
- Lead editor, long formMaya ReyesDocumentary pacing, travel and essay channels412 videos cutOpen profile →
- Senior editor, short formJonah BlakeMusic, sport and anything cut to a beat960 videos cutOpen profile →
- Colourist and finishing editorSam OrtegaColour, sound mix and motion graphics280 videos cutOpen profile →
- Editor, short formRia SenCoaches, founders and talking-head video740 videos cutOpen profile →
- Editor, trailers and filmLena MossTrailers, festival cuts and brand films190 videos cutOpen profile →
- Editor, podcastsAva CollinsPodcast clips, interviews and captions1,340 videos cutOpen profile →
07 · By the numbers
Counted in frames, not promises.
Every figure here comes out of the project tracker. We update it at the end of each month.
- 00:001,900+Videos cutSince the first export in 2019.
- 00:08140ChannelsCreators, podcasts and brands we edit for.
- 00:16+31%Retention liftAverage change after the first month with us.
- 00:244.9Client ratingOut of 5, from the review we ask for after every tenth video.
07 · By the numbers
Counted in frames, not promises.
Every figure here comes out of the project tracker. We update it at the end of each month.
- 00:001,900+Videos cutSince the first export in 2019.
- 00:08140ChannelsCreators, podcasts and brands we edit for.
- 00:16+31%Retention liftAverage change after the first month with us.
- 00:244.9Client ratingOut of 5, from the review we ask for after every tenth video.
07 · By the numbers
Counted in frames, not promises.
Every figure here comes out of the project tracker. We update it at the end of each month.
- 00:001,900+Videos cutSince the first export in 2019.
- 00:08140ChannelsCreators, podcasts and brands we edit for.
- 00:16+31%Retention liftAverage change after the first month with us.
- 00:244.9Client ratingOut of 5, from the review we ask for after every tenth video.
08 · Plans
Pay for the videos you post.
Pick how many videos you publish in a month. The slider shows which plan holds that pace and what one video costs there.
30 videos a month → Channel, $96.67 per video, 48 h turnaround
Starter
Fits your paceFor one creator posting three times a week.
$1,200/ month
- per video
- $100
- Turnaround
- 72 h
12 videos · ≈ 3 a week · each back in 72 h
- Short form videos, cut to the hook
- Captions and cover frames
- One round of changes
- Shared footage folder
- Most picked30 videos
Channel
Fits your paceFor a channel that posts daily and uploads a long video every week.
$2,900/ month
- per video
- $96.67
- Turnaround
- 48 h
30 videos · ≈ 7 a week · each back in 48 h
- Short form videos, cut and captioned
- Long form edits every week
- Thumbnails for every long video
- Two rounds of changes
- A named editor
Studio
Fits your paceFor teams with several shows and a release calendar.
$6,400/ month
- per video
- $91.43
- Turnaround
- 24 h
70 videos · ≈ 16 a week · each back in 24 h
- Short form videos, cut and captioned
- Long form edits for every show
- Podcast clips from every episode
- Motion graphics package
- Unlimited changes
- A dedicated team of three
Sample prices. Set your own in the Plans collection.
08 · Plans
Pay for the videos you post.
Pick how many videos you publish in a month. The slider shows which plan holds that pace and what one video costs there.
30 videos a month → Channel, $96.67 per video, 48 h turnaround
Starter
Fits your paceFor one creator posting three times a week.
$1,200/ month
- per video
- $100
- Turnaround
- 72 h
12 videos · ≈ 3 a week · each back in 72 h
- Short form videos, cut to the hook
- Captions and cover frames
- One round of changes
- Shared footage folder
- Most picked30 videos
Channel
Fits your paceFor a channel that posts daily and uploads a long video every week.
$2,900/ month
- per video
- $96.67
- Turnaround
- 48 h
30 videos · ≈ 7 a week · each back in 48 h
- Short form videos, cut and captioned
- Long form edits every week
- Thumbnails for every long video
- Two rounds of changes
- A named editor
Studio
Fits your paceFor teams with several shows and a release calendar.
$6,400/ month
- per video
- $91.43
- Turnaround
- 24 h
70 videos · ≈ 16 a week · each back in 24 h
- Short form videos, cut and captioned
- Long form edits for every show
- Podcast clips from every episode
- Motion graphics package
- Unlimited changes
- A dedicated team of three
Sample prices. Set your own in the Plans collection.
08 · Plans
Pay for the videos you post.
Pick how many videos you publish in a month. The slider shows which plan holds that pace and what one video costs there.
30 videos a month → Channel, $96.67 per video, 48 h turnaround
Starter
Fits your paceFor one creator posting three times a week.
$1,200/ month
- per video
- $100
- Turnaround
- 72 h
12 videos · ≈ 3 a week · each back in 72 h
- Short form videos, cut to the hook
- Captions and cover frames
- One round of changes
- Shared footage folder
- Most picked30 videos
Channel
Fits your paceFor a channel that posts daily and uploads a long video every week.
$2,900/ month
- per video
- $96.67
- Turnaround
- 48 h
30 videos · ≈ 7 a week · each back in 48 h
- Short form videos, cut and captioned
- Long form edits every week
- Thumbnails for every long video
- Two rounds of changes
- A named editor
Studio
Fits your paceFor teams with several shows and a release calendar.
$6,400/ month
- per video
- $91.43
- Turnaround
- 24 h
70 videos · ≈ 16 a week · each back in 24 h
- Short form videos, cut and captioned
- Long form edits for every show
- Podcast clips from every episode
- Motion graphics package
- Unlimited changes
- A dedicated team of three
Sample prices. Set your own in the Plans collection.
09 · Clients
What they say after the upload.
I stopped looking at my own timeline in March. The edits come back better than I would have cut them, and two days sooner.IstoppedlookingatmyowntimelineinMarch.TheeditscomebackbetterthanIwouldhavecutthem,andtwodayssooner.
We send a two-hour recording on Tuesday night. On Wednesday morning there are six clips in the folder, captioned and sized.Wesendatwo-hourrecordingonTuesdaynight.OnWednesdaymorningtherearesixclipsinthefolder,captionedandsized.
They rewrote my first three seconds and nothing else. That one change tripled the reach of the same video.Theyrewrotemyfirstthreesecondsandnothingelse.Thatonechangetripledthereachofthesamevideo.
A launch film, nine teasers and a trailer in one week, all on brand. We have not briefed another editor since.Alaunchfilm,nineteasersandatrailerinoneweek,allonbrand.Wehavenotbriefedanothereditorsince.
They send a retention note with every long video. I learn more from that page than from my analytics.Theysendaretentionnotewitheverylongvideo.Ilearnmorefromthatpagethanfrommyanalytics.
09 · Clients
What they say after the upload.
I stopped looking at my own timeline in March. The edits come back better than I would have cut them, and two days sooner.IstoppedlookingatmyowntimelineinMarch.TheeditscomebackbetterthanIwouldhavecutthem,andtwodayssooner.
We send a two-hour recording on Tuesday night. On Wednesday morning there are six clips in the folder, captioned and sized.Wesendatwo-hourrecordingonTuesdaynight.OnWednesdaymorningtherearesixclipsinthefolder,captionedandsized.
They rewrote my first three seconds and nothing else. That one change tripled the reach of the same video.Theyrewrotemyfirstthreesecondsandnothingelse.Thatonechangetripledthereachofthesamevideo.
A launch film, nine teasers and a trailer in one week, all on brand. We have not briefed another editor since.Alaunchfilm,nineteasersandatrailerinoneweek,allonbrand.Wehavenotbriefedanothereditorsince.
They send a retention note with every long video. I learn more from that page than from my analytics.Theysendaretentionnotewitheverylongvideo.Ilearnmorefromthatpagethanfrommyanalytics.
09 · Clients
What they say after the upload.
I stopped looking at my own timeline in March. The edits come back better than I would have cut them, and two days sooner.IstoppedlookingatmyowntimelineinMarch.TheeditscomebackbetterthanIwouldhavecutthem,andtwodayssooner.
We send a two-hour recording on Tuesday night. On Wednesday morning there are six clips in the folder, captioned and sized.Wesendatwo-hourrecordingonTuesdaynight.OnWednesdaymorningtherearesixclipsinthefolder,captionedandsized.
They rewrote my first three seconds and nothing else. That one change tripled the reach of the same video.Theyrewrotemyfirstthreesecondsandnothingelse.Thatonechangetripledthereachofthesamevideo.
A launch film, nine teasers and a trailer in one week, all on brand. We have not briefed another editor since.Alaunchfilm,nineteasersandatrailerinoneweek,allonbrand.Wehavenotbriefedanothereditorsince.
They send a retention note with every long video. I learn more from that page than from my analytics.Theysendaretentionnotewitheverylongvideo.Ilearnmorefromthatpagethanfrommyanalytics.
10 · Notes
Notes from the timeline.
What we learn cutting a few hundred videos a month, written down so your next upload holds longer.
All notes- Short form00:06:00
6 min readThe first three seconds, frame by frame
What happens in the opening of a short video that holds 80% of its viewers, and what happens in one that loses half.
Ria Sen - Process00:05:00
5 min readHow to send footage an editor can use
Five habits that save a day on every edit: file names, a brief in four lines, room tone and two more.
Maya Reyes - YouTube00:08:00
8 min readReading a retention graph without fooling yourself
Dips, bumps and the flat line everyone wants: what each shape in the graph is telling you about the edit.
Maya Reyes
10 · Notes
Notes from the timeline.
What we learn cutting a few hundred videos a month, written down so your next upload holds longer.
All notes- Short form00:06:006 min read
The first three seconds, frame by frame
What happens in the opening of a short video that holds 80% of its viewers, and what happens in one that loses half.
Ria Sen - Process00:05:005 min read
How to send footage an editor can use
Five habits that save a day on every edit: file names, a brief in four lines, room tone and two more.
Maya Reyes - YouTube00:08:008 min read
Reading a retention graph without fooling yourself
Dips, bumps and the flat line everyone wants: what each shape in the graph is telling you about the edit.
Maya Reyes
10 · Notes
Notes from the timeline.
What we learn cutting a few hundred videos a month, written down so your next upload holds longer.
All notes- Short form00:06:006 min read
The first three seconds, frame by frame
What happens in the opening of a short video that holds 80% of its viewers, and what happens in one that loses half.
Ria Sen - Process00:05:005 min read
How to send footage an editor can use
Five habits that save a day on every edit: file names, a brief in four lines, room tone and two more.
Maya Reyes - YouTube00:08:008 min read
Reading a retention graph without fooling yourself
Dips, bumps and the flat line everyone wants: what each shape in the graph is telling you about the edit.
Maya Reyes
11 · Questions
Asked before every first cut.
Files, turnaround, changes and rights, answered the way we answer them on a call.
On setA1
Something else? Write to hello@roughcut.studio and an editor answers within a day.
Upload it to the shared folder we set up on day one, or send any link. We take every camera format and screen recording.
FilesShort form in 24 to 72 hours depending on your plan, long form in four to five working days. Rush delivery is available.
ProcessOne round on Starter, two on Channel and unlimited on Studio. Most edits are approved on the first pass.
ProcessYes. Every service has a per-video price, and you can move to a plan whenever the volume makes it cheaper.
PricingUp to half of a month's videos roll over to the next one.
PricingYou do. Every delivery includes the final files, and project files are yours on request.
RightsYes. Music and sound effects come from libraries licensed for commercial use on every platform.
RightsOn Channel and Studio you have a named editor who learns your style. Starter edits are shared across the team.
Process
11 · Questions
Asked before every first cut.
Files, turnaround, changes and rights, answered the way we answer them on a call.
On setA1Something else? Write to hello@roughcut.studio and an editor answers within a day.
Upload it to the shared folder we set up on day one, or send any link. We take every camera format and screen recording.
FilesShort form in 24 to 72 hours depending on your plan, long form in four to five working days. Rush delivery is available.
ProcessOne round on Starter, two on Channel and unlimited on Studio. Most edits are approved on the first pass.
ProcessYes. Every service has a per-video price, and you can move to a plan whenever the volume makes it cheaper.
PricingUp to half of a month's videos roll over to the next one.
PricingYou do. Every delivery includes the final files, and project files are yours on request.
RightsYes. Music and sound effects come from libraries licensed for commercial use on every platform.
RightsOn Channel and Studio you have a named editor who learns your style. Starter edits are shared across the team.
Process
11 · Questions
Asked before every first cut.
Files, turnaround, changes and rights, answered the way we answer them on a call.
Something else? Write to hello@roughcut.studio and an editor answers within a day.
Upload it to the shared folder we set up on day one, or send any link. We take every camera format and screen recording.
FilesShort form in 24 to 72 hours depending on your plan, long form in four to five working days. Rush delivery is available.
ProcessOne round on Starter, two on Channel and unlimited on Studio. Most edits are approved on the first pass.
ProcessYes. Every service has a per-video price, and you can move to a plan whenever the volume makes it cheaper.
PricingUp to half of a month's videos roll over to the next one.
PricingYou do. Every delivery includes the final files, and project files are yours on request.
RightsYes. Music and sound effects come from libraries licensed for commercial use on every platform.
RightsOn Channel and Studio you have a named editor who learns your style. Starter edits are shared across the team.
Process
12 · Your turn
Send the footage.
Upload the raw files today. The first cut is back before the week is out, with the hook rebuilt and the captions in.
- 1,900+videos cut
- 72 hto the first cut
- 4.9 / 5client rating
Sample projects
12 · Your turn
Send the footage.
Upload the raw files today. The first cut is back before the week is out, with the hook rebuilt and the captions in.
- 1,900+videos cut
- 72 hto the first cut
- 4.9 / 5client rating
Sample projects
12 · Your turn
Send the footage.
Upload the raw files today. The first cut is back before the week is out, with the hook rebuilt and the captions in.
- 1,900+videos cut
- 72 hto the first cut
- 4.9 / 5client rating
Sample projects